ID:2314

Attributed to Jean-Baptiste Monnoyer (Lille 1636 – 1699 London), Still life of variegated carnations and other flowers on a ledge, oil on relined canvas in a carved giltwood frame.

13 by 16 ¼ inches (33 by 41.3 cm).

Provenance: Anonymous sale, Sotheby’s New York, 7 April 1989, lot 148.

ID:2370

Attributed to Filippo de Angeli, called Filippo Napoletano (Naples 1587 – 1629 Rome), The baptism of Christ, oil on an oval panel, now reinforced, in a gilded wood and gesso frame, early 1620’s.

27 by 36.5 cm. (10 ½ by 14 ½ in.)

Provenance: Anonymous sale, Dorotheum (Vienna) 13 October, 2010, lot 602, est $13,500/$17,000;

Anonymous sale, Stahl Auktionshaus (Hamburg) 19 February 2011, lot 168

Dr. Francesca Baldassari, specialist in 17th century Florentine painting, identified the author of this painting, dating it as well.

ID:2374

Entourage of Placido Costanzi (Rome 1702 – 1759), Christ and the Samaritan woman, oil on canvas, with an illegible annotation on the back, framed.

32 by 25.5 cm (12 ½ by 10 in.)

With variations in the landscape, in some details of the Christ, and in the clothing of the Samaritan, our painting repeats a round painting on copper (diameter 25 cm) by Placido Costanzi realized as one of a pair with a Noli me tangere.

ID:2348

Hans Jurriaensz. Van Baden (Baden-Baden 1604-1677), Christ chasing the money-changers from the temple, oil on an unreinforced oak panel composed of two boards visible through an oval window, signed lower left JvanBaden. Framed.

15 ¾ by 21 ¼ inches (40 by 54 cm)

Restorations to the panel.

Staffage painted over van Baden’s view of the church interior by another hand.

ID:2406

Oil on canvas attributed to Crespin (French school of the late 18th c.), A forest landscape with figures, in a fine carved and gilded 18^th c. oak frame.

32.5 by 41 cm. (12 ¾ by 16 ¼ in.)

ID:2416

Attributed to Hieronymus II Francken (Antwerp 1578 – 1623), oil on copper, The climb to Golgotha, first quarter of the seventeenth c.,

ca. 1620, excellent condition in a molded frame.

35 by 28.8 cm. (14 by 11 ¼ in.)

ID:2417

Swabian school of the early sixteenth c., oil with gilding on a now-reinforced wood panel, representing an Ascension, ca. 1520, scattered retouches, in a molded oak frame with gothic columns.

51 by 31 cm. (20 by 12 ¼ in.)

This exceptional work is based on the Albrecht Durer 1510 woodprint, The Coronation of the Virgin, one of the 19 woodcuts making up the series The Life of the Virgin.

ID:2462

Atelier of Hyacinthe Rigaud (1659–1743), Bust view of the portrait of the Cardinal de

Rohan at the age of 36, ca. 1710-1713, in a gilded and carved wood frame.

46.5 x 55.5 cm.

Provenance: Collection Monbrison, his sale,
Paris 13 May, 1904

ID:2464

Ludwig Holthausern (Uerdingen 1807 – 1890 Düsseldorf),

Plums, peaches and grapes on a table,
an oil on canvas signed at the lower right L. Holthausern, framed.

36 x 46.5 cm (14 ¼ x 18 ¼ inches)

ID:2445

Jacques-Albert Senave (Loo [present-day

Belgium] 1758 - 1823 Paris), The children’s hospital, oil on canvas, signed and
dated lower right: J.A.Senave 1819, framed.

32.5 x 40.5 cm. (12 ¾ x 16 in.)

ID:2446

Joost Cornelisz Droochsloot. (Utrecht 1586 - 1666), Skaters on a frozen canal, oil on an integral and unreinforced oak panel, on the back a No.198 in white paint and a wax seal. Framed.

30 x 51 cm (11 ¾ x 20 in.)

ID:2415

Dutch school of the early seventeenth c., oil on

copper, Bring me the little children. Minor frame abrasion.

28.5 by 35 cm. (11 ¼ by 13 ¾ inches)

ID:2404

Anton Maria Vassallo (Genoa 1620 – 1664 Milan), Medea restoring Aeson’s youth, oil on canvas, framed.

59.5 by 80.5 cm. (23 ½ by 31 ¾ in.)

ID:2426

Jan Asselyn (Dieppe towards 1610 – 1652 Amsterdam), an oil on canvas, A rocky

Italian landscape with cattle and herdsmen resting beneath antique ruins,
mid-17th century (losses, restorations).

28 x 34 cm (13 3/8 x 11 1/8 inches)

ID:2450

Barbizon school, mid-19^th century, Barges pulled on a tow path at the edge of a

wood, oil on panel. On the reverse, Study of a cow.

Dim. of panel

41.3 x 29.2 cm. (16 ¼ x 11 ½ in.)

ID:2401

Oil on canvas, French school towards 1730, Saint John the

Evangelist, with the eagle, his symbol.

57 x 42.5 cm (22 ½ x 16 ¾ inches)

ID:2379

Haarlem school of the early 17^th c., Adam and Eve in the Garden of Eden, an oil on oak panel with evidence of two old splines, not currently parqueted.

42.5 by 33 cm (16 ¾ by 13 in.)

Our painting belongs to the northern Mannerist movement, also known as Haarlem Mannerism. This term is
associated with a school supported chiefly by Karel van Mander, Cornelis van Haarlem, and Hendrik Goltzius. It is characterized by a studied style far from naturalism. One is struck by similarities between this work and
the large painting of Adam and Eve (1592) by van Haarlem in the Rijksmuseum.

ID:2158

Studio of Luigi Miradori, called Genovasino (Genoa 1600/10 – ca. 1656 Cremona), Vanity with a child sleeping on a red velvet cushion, an hourglass, and a skull, oil on relined canvas, marked lower left “Nasciente morimur.”

8 by 12 inches

Provenance: Comte de Beaumont