ID:2189
Attributed to Louis-Nicolas van Blarenbergh (Lille 1716-1794 Fontainebleau), Bucolic landscape, gouache. Minor oxidation upper right.
6 by 8 inches (15 by 20 cm)
The Blarenbergh dynasty are best known for miniatures and densely wrought scenes of battle.
ID:2314
Attributed to Jean-Baptiste Monnoyer (Lille 1636 – 1699 London), Still life of variegated carnations and other flowers on a ledge, oil on relined canvas in a carved giltwood frame.
13 by 16 ¼ inches (33 by 41.3 cm).
Provenance: Anonymous sale, Sotheby’s New York, 7 April 1989, lot 148.
ID:2370
Attributed to Filippo de Angeli, called Filippo Napoletano (Naples 1587 – 1629 Rome), The baptism of Christ, oil on an oval panel, now reinforced, in a gilded wood and gesso frame, early 1620’s.
27 by 36.5 cm. (10 ½ by 14 ½ in.)
Provenance: Anonymous sale, Dorotheum (Vienna) 13 October, 2010, lot 602, est $13,500/$17,000;
Anonymous sale, Stahl Auktionshaus (Hamburg) 19 February 2011, lot 168
Dr. Francesca Baldassari, specialist in 17th century Florentine painting, identified the author of this painting, dating it as well.
ID:2406
Oil on canvas attributed to Crespin (French school of the late 18th c.), A forest landscape with figures, in a fine carved and gilded 18th c. oak frame.
32.5 by 41 cm. (12 ¾ by 16 ¼ in.)
ID:2417
Swabian school of the early sixteenth c., oil with gilding on a now-reinforced wood panel, representing an Ascension, ca. 1520, scattered retouches, in a molded oak frame with gothic columns.
51 by 31 cm. (20 by 12 ¼ in.)
This exceptional work is based on the Albrecht Durer 1510 woodprint, The Coronation of the Virgin, one of the 19 woodcuts making up the series The Life of the Virgin.
ID:2445
Jacques-Albert Senave (Loo [present-day
Belgium] 1758 - 1823 Paris), The children’s hospital, oil on canvas, signed and
dated lower right: J.A.Senave 1819, framed.
32.5 x 40.5 cm. (12 ¾ x 16 in.)
ID:2415
Dutch school of the early seventeenth c., oil on
copper, Bring me the little children. Minor frame abrasion.
28.5 by 35 cm. (11 ¼ by 13 ¾ inches)
ID:2426
Jan Asselyn (Dieppe towards 1610 – 1652 Amsterdam), an oil on canvas, A rocky
Italian landscape with cattle and herdsmen resting beneath antique ruins,
mid-17th century (losses, restorations).
28 x 34 cm (13 3/8 x 11 1/8 inches)
ID:2450
Barbizon school, mid-19th century, Barges pulled on a tow path at the edge of a
wood, oil on panel. On the reverse, Study of a cow.
Dim. of panel
41.3 x 29.2 cm. (16 ¼ x 11 ½ in.)
ID:2401
Oil on canvas, French school towards 1730, Saint John the
Evangelist, with the eagle, his symbol.
57 x 42.5 cm (22 ½ x 16 ¾ inches)
ID:2379
Haarlem school of the early 17th c., Adam and Eve in the Garden of Eden, an oil on oak panel with evidence of two old splines, not currently parqueted.
42.5 by 33 cm (16 ¾ by 13 in.)
Our painting belongs to the northern Mannerist movement, also known as Haarlem Mannerism. This term is
associated with a school supported chiefly by Karel van Mander, Cornelis van Haarlem, and Hendrik Goltzius. It is characterized by a studied style far from naturalism. One is struck by similarities between this work and
the large painting of Adam and Eve (1592) by van Haarlem in the Rijksmuseum.
ID:2158
Studio of Luigi Miradori, called Genovasino (Genoa 1600/10 – ca. 1656 Cremona), Vanity with a child sleeping on a red velvet cushion, an hourglass, and a skull, oil on relined canvas, marked lower left “Nasciente morimur.”
8 by 12 inches
Provenance: Comte de Beaumont