ID:2314

Attributed to Jean-Baptiste Monnoyer (Lille 1636 – 1699 London), Still life of variegated carnations and other flowers on a ledge, oil on relined canvas in a carved giltwood frame.

13 by 16 ¼ inches (33 by 41.3 cm).

Provenance: Anonymous sale, Sotheby’s New York, 7 April 1989, lot 148.

ID:2370

Attributed to Filippo de Angeli, called Filippo Napoletano (Naples 1587 – 1629 Rome), The baptism of Christ, oil on an oval panel, now reinforced, in a gilded wood and gesso frame, early 1620’s.

27 by 36.5 cm. (10 ½ by 14 ½ in.)

Provenance: Anonymous sale, Dorotheum (Vienna) 13 October, 2010, lot 602, est $13,500/$17,000;

Anonymous sale, Stahl Auktionshaus (Hamburg) 19 February 2011, lot 168

Dr. Francesca Baldassari, specialist in 17th century Florentine painting, identified the author of this painting, dating it as well.

ID:2406

Oil on canvas attributed to Crespin (French school of the late 18th c.), A forest landscape with figures, in a fine carved and gilded 18^th c. oak frame.

32.5 by 41 cm. (12 ¾ by 16 ¼ in.)

ID:2417

Swabian school of the early sixteenth c., oil with gilding on a now-reinforced wood panel, representing an Ascension, ca. 1520, scattered retouches, in a molded oak frame with gothic columns.

51 by 31 cm. (20 by 12 ¼ in.)

This exceptional work is based on the Albrecht Durer 1510 woodprint, The Coronation of the Virgin, one of the 19 woodcuts making up the series The Life of the Virgin.

ID:2445

Jacques-Albert Senave (Loo [present-day

Belgium] 1758 - 1823 Paris), The children’s hospital, oil on canvas, signed and
dated lower right: J.A.Senave 1819, framed.

32.5 x 40.5 cm. (12 ¾ x 16 in.)

ID:2415

Dutch school of the early seventeenth c., oil on

copper, Bring me the little children. Minor frame abrasion.

28.5 by 35 cm. (11 ¼ by 13 ¾ inches)

ID:2426

Jan Asselyn (Dieppe towards 1610 – 1652 Amsterdam), an oil on canvas, A rocky

Italian landscape with cattle and herdsmen resting beneath antique ruins,
mid-17th century (losses, restorations).

28 x 34 cm (13 3/8 x 11 1/8 inches)

ID:2450

Barbizon school, mid-19^th century, Barges pulled on a tow path at the edge of a

wood, oil on panel. On the reverse, Study of a cow.

Dim. of panel

41.3 x 29.2 cm. (16 ¼ x 11 ½ in.)

ID:2401

Oil on canvas, French school towards 1730, Saint John the

Evangelist, with the eagle, his symbol.

57 x 42.5 cm (22 ½ x 16 ¾ inches)

ID:2379

Haarlem school of the early 17^th c., Adam and Eve in the Garden of Eden, an oil on oak panel with evidence of two old splines, not currently parqueted.

42.5 by 33 cm (16 ¾ by 13 in.)

Our painting belongs to the northern Mannerist movement, also known as Haarlem Mannerism. This term is
associated with a school supported chiefly by Karel van Mander, Cornelis van Haarlem, and Hendrik Goltzius. It is characterized by a studied style far from naturalism. One is struck by similarities between this work and
the large painting of Adam and Eve (1592) by van Haarlem in the Rijksmuseum.

ID:2158

Studio of Luigi Miradori, called Genovasino (Genoa 1600/10 – ca. 1656 Cremona), Vanity with a child sleeping on a red velvet cushion, an hourglass, and a skull, oil on relined canvas, marked lower left “Nasciente morimur.”

8 by 12 inches

Provenance: Comte de Beaumont