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ID:2285

Francesco Giuseppe Casanova (London 1727 - Vorderbrühl 1803), oil on canvas, A battle scene, traces of a signature lower left. Relined, restorations. Frame of gilded and sculpted wood.

12 by 14 ¼ inches (30 by 36 cm)

ID:2189

Attributed to Louis-Nicolas van Blarenbergh (Lille 1716-1794 Fontainebleau), Bucolic landscape, gouache. Minor oxidation upper right.

6 by 8 inches (15 by 20 cm)

The Blarenbergh dynasty are best known for miniatures and densely wrought scenes of battle.

ID:2306

Attributed to Thomas de Keyser (Amsterdam 1596 - 1667), group portrait of three children in the guise of Cupid and two angels, oil on an oak panel. Restorations, Dutch-style frame.

30 by 23 cm (11 ¾ by 9 inches)

ID:2314

Attributed to Jean-Baptiste Monnoyer (Lille 1636 – 1699 London), Still life of variegated carnations and other flowers on a ledge, oil on relined canvas in a carved giltwood frame.

13 by 16 ¼ inches (33 by 41.3 cm).

Provenance: Anonymous sale, Sotheby’s New York, 7 April 1989, lot 148.

ID:2352

Oil on canvas, Sainte Cecilia playing an organ with two angels, French school of the end of the 17th c., in a carved and gilded period frame.

21 ½ by 16 ¼ inches (54.5 by 41.3 cm)

ID:2370

Attributed to Filippo de Angeli, called Filippo Napoletano (Naples 1587 – 1629 Rome), The baptism of Christ, oil on an oval panel, now reinforced, in a gilded wood and gesso frame, early 1620’s.

27 by 36.5 cm. (10 ½ by 14 ½ in.)

Provenance: Anonymous sale, Dorotheum (Vienna) 13 October, 2010, lot 602, est $13,500/$17,000;

Anonymous sale, Stahl Auktionshaus (Hamburg) 19 February 2011, lot 168

Dr. Francesca Baldassari, specialist in 17th century Florentine painting, identified the author of this painting, dating it as well.

ID:2374

Entourage of Placido Costanzi (Rome 1702 – 1759), Christ and the Samaritan woman, oil on canvas, with an illegible annotation on the back, framed.

32 by 25.5 cm (12 ½ by 10 in.)

With variations in the landscape, in some details of the Christ, and in the clothing of the Samaritan, our painting repeats a round painting on copper (diameter 25 cm) by Placido Costanzi realized as one of a pair with a Noli me tangere.

ID:2348

Hans Jurriaensz. Van Baden (Baden-Baden 1604-1677), Christ chasing the money-changers from the temple, oil on an unreinforced oak panel composed of two boards visible through an oval window, signed lower left JvanBaden. Framed.

15 ¾ by 21 ¼ inches (40 by 54 cm)

Restorations to the panel.

Staffage painted over van Baden’s view of the church interior by another hand.

ID:2406

Oil on canvas attributed to Crespin (French school of the late 18th c.), A forest landscape with figures, in a fine carved and gilded 18th c. oak frame.

32.5 by 41 cm. (12 ¾ by 16 ¼ in.)

ID:2416

Attributed to Hieronymus II Francken (Antwerp 1578 – 1623), oil on copper, The climb to Golgotha, first quarter of the seventeenth c.,

ca. 1620, excellent condition in a molded frame.

35 by 28.8 cm. (14 by 11 ¼ in.)

ID:2417

Swabian school of the early sixteenth c., oil with gilding on a now-reinforced wood panel, representing an Ascension, ca. 1520, scattered retouches, in a molded oak frame with gothic columns.

51 by 31 cm. (20 by 12 ¼ in.)

This exceptional work is based on the Albrecht Durer 1510 woodprint, The Coronation of the Virgin, one of the 19 woodcuts making up the series The Life of the Virgin.

Christine Magne, Antiquaire
©2019 Christine Magne
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